Author: Chris (Page 19 of 31)

Late Supersonic write up…

well, Its been two weeks since another fantastic Supersonic Festival. Memorable moments in the order of occurrence included…

Arrival on Friday to find the TV set in two pieces in our Etap ‘The key to a good nights sleep’ hotel room, which was a definite health and safety failure I think. The pies at the Old Joint Stock were as good as always, though I still miss Pie Minister.

On arrival at the Custard Factory the entrance and wristband situation was speedily delt with, they were even kind enough to cut off everyones over long wristband ends, though again, waving a pair of scissors at every patron seems to be asking for trouble, but with a weekend that involves glass, beer cans and blood being discharged into the audience from some of the performers, this has to be a small worry.

Drumize we’re great, I was disappointed that they weren’t a band as such but a collective as other bands, as this meant there was no record to buy and my chances of hearing hem again we’re poor. Having said that I see they have a myspace page so I guess you never know. Dalek were enjoyable though I found standing at the back of the Medicine Bar Factory Club Stage to watch the Osaka Invasion uninvolving, If I’d’ve arrived early enough to be stood at the front I dare say I’d’ve felt different. We’d been looking forward to DJ Rupture who came on stage a little before 2am. Strangely the entire place emptied at this point, I’m still not sure why. I guess a lot of people had come from work or maybe people don’t stay up that late in Birmingham, see Sunday night, either way it meant the atmosphere was lost somewhat. Rupture played on and seemed to enjoy himself none the less, its just a shame there were so few left to see it.

Saturday kind of drifted in, there we’re some nice folk acts but in the bright light of day it you could see it was hard to really get the audience involved. The Courtesy Group got things going in the Warehouse/Space 2 Stage. With a front man Part Beefheart and Part Mark E Smith. They were great fun and very entertaining. We then watched Justice Yeldham, which really defies description. Oxbow were a definite highlight for me this year, I only caught part of their set in the Medicine Bar, as it was then, last year and again, I was at the back so it was hard to enjoy, this year we had a decent view and the set was pretty amazing. You can view a recent live set online, here, and also buy a recording from last years show from Capsule themselves. Harvey Milk we’re also worth a mention, I confess that despite the fact the bars ran out of draught beer, the end of the evening did become a bit of a blur, but I do remember it being a very enjoyable blur

Sunday was quite noisy to be sure. Never have I seen so many earplugs employed at a festival.

Max Tundra was good fun, a good way to get some energy back into the proceedings. I confess having seen him a couple of times before, we moved toward noisier climbs. Pierre Bastien and his wonderful machines, image, were very entertaining, creating a kind of noir soundtrack from the clicks and ticks developed by his models, and a few instruments, was also nice to sit down for five minutes! Fucked Up were great fun, image, noisy and raucous and a little scary, well, at least when you find yourself stood next to the front man as, like many bands at this years festival, he decides to perform in the crowd rather than on the stage. Earth sounded fantastic, I confess I didn’t watch that much of the set as its more music to listen to than to watch and there was so much else to do. Julian Cope gave everyone something to gossip about by not playing with Grave Temple as advertised, none the less they we’re most enjoyable, I can still taste the dry ice while I remember it. Harmonia finished things off and then if was round the corner to the Rainbow for an afterparty that petered out after about an hour. Probably for the best, it was a very tiring weekend all in all.

Next year I hope another Supersonic occurs in Birmingham and

  • a. The acts are as well chosen, obscure and entertaining
  • b. The venue remains the Custard Factory complex
  • c. The Staff/Helpers/Volunteers are as helpful and friendly as this years were.
  • d. Me and my mate at least discuss staying somewhere other than the Etap [though the random meetings in the coridors and lifts in the early hours almost made up for the stange aray of stains in our room. Almost.]
  • e. The Draft beer supply lasts longer than eight hours

Actually, it was enough fun to ignore points d and e, but you can always hope…

Roadside 15-05-08

number four in the series of roadside photos, now in fish-eye-o-vision!

Empty country road from the drivers seat.

Some more photos from my first film in my christmas gift fish eye camera

Could almost be the title sequence from Kojack

The alternative to crop circles?, geometric random road stripes.

Subliminal advertising?

View from the breakfast table of the Stagedoor Delicatessen

So far i’ve learned I need to get closer to things and that taking photos is low light it a waste of film.

I‘ve been spending far too much time, or at least more time than the video warrants, trying to post a Youtube video here on the blog. Its just that I spent the best part of a summer holiday in 1983/4 somewhere in Devon playing the Spy Hunter arcade game, the proper sit in one of course.

This new commercial for Pontiac faithfully recreates the action in 3d. I think its pretty fantatastic, though as an advertisement it has the disadvantage that the product its selling is the worst looking vehicle in the piece.

Spy Hunter Arcade Game

You can download and play another 3d reinterpretation of spy hunter, here, called Highway Pursuit, Its pretty good fun, even if it does lack the classic Peter Gunn theme and skip all the Car/Boat/Car/Boat/Car/Car/Boat stuff.

If unlike me you have the correct number of shockwave plugins you can also maybe play the original online, Spy Hunter*…

*Site no longer live.

business opportunity for ailing record shops…

I know a lot of record shops are struggling to compete with the Competition of the internet, are suffering a fall in sales and then further have eBay and bands that selling direct.

So this new idea of starting up a traveling ‘Record Fair’ – And charging people an entrance fee to come in and look at the stock, stock that previously would have been free for all to browse, but that would be costing rent and other overheads if stored in a traditional shop. Then price the stock a good £3/4 over what things would cost in a normal independent ‘actual’ shop, which means if you should sell something, you make a damn good profit, and if not, you’ve still made a few quid from all the browsers… who would normally have walked in, and out, for free. Win win.

On a separate note, I went to a Record Fair in Tamworth today. Some fantastic stock there from the single stallholder in the back room of some pub, but I didn’t think £15 a CD was really a ‘Record Fair’ type price. The stock was v good though. Next one is in July apparently…

When is a Record Fair not a fair Fair?

Supersonic Festival 2008

I‘m very much looking forward to the fast approaching Supersonic Festival in Birmingham.
Last years event really was fantastic. Dates are 11th-13th July 2008 and if I list them here, it’ll save me looking them up later.

Supersonic Festival Poster

i can make an educated guess as to why I ended up with three bulky copies of this months Birmingham Town Hall/Symphony Hall brochure though the post. My address is spelt in slightly different variations on each thick white lumpy envelope, all in uppercase on one, correctly on another and then a mix of uppercase and lowercase on the third. I guess they’ve gathered them up from tickets I’ve bought in various places and added each instance to their list.

I have no idea at all how I ended up on the Monto Water Rats Weekly email Update, I’m not in London that often so its kind of irrelevant to me too, but I don’t like to complain…

I was similarly confused to find a newsletter from Drift Records arriving in my inbox, I’m sure I’ve never signed up for it, In fact I’d never heard of Drift Records at all, though I had heard, and bought, the album by The R. G. Morrison who seems to be one of the guiding forces behind it.

Anyway, there I was, tied to the laptop, toiling away on the hottest saturday of the year when it popped into my inbox. Such was my involvement with the work I was doing at the time, and my intrigue at any label with a record called ‘Finish your chips’ that I was soon off, trawling round the interweb sampling the Drift collective wares. There we’re no samples on the website so it was on to the mildly tedious myspace, it ain’t great when all you can connect to is a 56k phone line, anyway, after listening to a few tracks I was soon headed back to visit the Drift Shop.

The above mentioned ‘Finish your chips’ album by Matt Eaton is very fine indeed. I also really liked the nicely packaged and stylistically varied Thirty Pounds of Bone  ‘The homesick children of migrant mothers’ album. In fact I’m looking forward to the listed forthcoming Mary Hampton album as well.

As soon as I was done it gave me some much needed motivation to get back to work and earn some money to pay for the unplanned shopping excursion. Everyones a winner indeed.

In fact the only bad thing I have to say about the whole thing is that they both cds are without the bands/albums name on them, so I know that at some future point I’m destined to spend many hours trying to remember what they are called and where the cases might be…

Page 19 of 31

All images and artwork copyright ©1998 - 2024 chris hathway, illustrator& Hathway/Creative